ANURADHA'S TABLAS SING STORIES
Harmonizing Tradition and Innovation
From traditional Gharanas to contemporary interpretations, through immersive Audio-visual storytelling.
Videos

Mother Daughter Interaction

325,000 views solo

6 Gharanas solo

AUDIO

taleem

Taaleem album art

PRESS CLIPPINGS

 The Tribune

The Tribune

"Anuradha Pal's sheer determination, passion, a constant endeavour to innovate, whilst holding steadfastly to her values and ethics, along with a deep sense of reverence and responsibility towards her art and tradition have been instrumental in her meteoric rise towards the highest echelons of the percussion firmament."

The Hindu

The Hindu

“She is as comfortable with following the tradition of her Punjab Gharana (she has imbibed the nuances of all the six gharanas) as she is with indulging in genre-free music. For Anuradha creativity is about extending frontiers & thinking beyond divides 26 being honest to the art.”

Hindustan Times

Hindustan Times

“Her music commands reverence. You want to shut your eyes because Anuradha is so strong as a performer , so perfectly placed in the competitive percussion world, that you really want to forget for a moment that she is a woman. You just want to focus on the music.”

New Indian Express

New Indian Express

"Anuradha carries the methodical intuition of her Ustads, their clarity & showmanship in finger ments.... the dynamism, temperament & 'presence' of Pandit Kishan Maharaj, the tough lure for softness and detail of Pandit Shamta Prasad & a shooting madness for intrinsic fireworks of Ustad Ahmed Jan Thirakwa."

Narthaki

Narthaki

“Anuradha is beautiful in her brilliance when on stage, clear as much in her articulation as on Tabla. With rise and fall in pitch and pace of beats, she relates them to man-woman dialogue, Lord Nataraj’s damaru, Radha’s sulking mood, a horse’s gallop, a train crossing another and finally thunder, lightning and rain. One gets reminded of Pt. Birju Maharaj.”

© 2024 Copyright: AnuradhaPal